You ask me when I am coming. I do not know.
I dream of your mountains and autumn pools brimming all night with the rain.
Oh, when shall we be trimming wicks again, together in your western window?
When shall I be hearing your voice again, all night in the rain?
君问归期未有期，巴山夜雨涨秋池。
何当共剪西窗烛，却话巴山夜雨时。
Seven-character-quatrain
Li Shangyin was in today’s Sichuan Provence, serving as the governor’s advisor when he wrote this poem. The poem was written after Li Shangyin’s wife died, but it is possible that he had not received word of her death yet. It is also possible that he knew of her death, but chose to express his grief in a longing, imaginary letter to her.
Classical Chinese poetry thrives on Concision and Ambiguity. Without tense or number, the words create a timeless space where the reader becomes the co-creator of the poem's meaning.
Look for Contrasts: light and shadow, movement and stillness. Don't just translate the words; feel the Yijing (artistic conception) that lingers long after the last character.
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