Ma Dai

Ma Dai

Ma Dai (马戴, ca. 799–869) was a preeminent poet of the Late Tang Dynasty, widely respected for a style that harkened back to the clarity and spiritual depth of the High Tang masters. Though he lived during a period of imperial decline, his verses remained remarkably pure, earning him a reputation as one of the most technically accomplished and refined voices of his generation.

He is best celebrated for his landscape and nostalgic poetry, particularly his masterpiece "Remembering the Past on the Chu River" (楚江怀古). His work is characterized by a chilly, serene beauty and a mastery of the regulated verse form, often capturing the solitary "Vibe" of autumn mists and desolate riversides. Critics have long praised Ma Dai for his ability to merge personal sorrow with the grand, silent reaches of the natural world.

At CN-Poetry, we honor the "vividly clear" legacy of Ma Dai through meticulous English translations. Our collection invites you to experience the refined "Vibe" of the Late Tang—capturing the poise and melancholy of a man who found eternal beauty in the shifting landscapes of a changing empire. Discover the works of this landscape master within our digital archives.

Representative Works

Thoughts of Old Time on the Chu River ( 楚江怀古 )

Five-character-regular-verseComposed in the early Dazhong era of Emperor Xuanzong's reign when Ma Dai was demoted to Long…

A cold light shines on the gathering dew,

As sunset fades beyond the southern mountains;

Trees echo with monkeys on the banks of Lake Dongting,

Where somebody is moving in an orchid-wood boat.

Marsh-lands are swollen wide with the moon,

While torrents are bent to the mountains' will;

And the vanished Queens of the Clouds leave me

Sad with autumn all night long.

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Gazing Alone at the Frontier ( 边城独望 )

This poem was composed during Ma Dai's military service at the frontier, around the late Tang period. Having served in th…

Leaning on the battlement, I gaze afar,

A homesick sorrow rises dark and deep.

Frost lies white on reed flowers bare,

Hills fade in mist where night dews weep.

Wild geese descend on sandy bars,

War drums boom from Tartar posts—startling the air.

A lone tree stands in autumn’s scars;

I sing mad songs, my tears stain the tassels there.

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Inscribed on a Temple at Mount Lu ( 题庐山寺 )

Composed during the Zhenyuan era (785-805 AD) of the Tang Dynasty, this work emerges from a society still recovering from…

Thatched with reeds and fenced with thorns, the temple stands,

Its steps in tiers of stone by rugged hands.

East valley’s laughter wakes west valley’s sound,

While clouds weep below, the peaks are sunlight-crowned.

Mice scurry from woodmen along moss-dark walls,

Apes swing on summits, shaking purple pines tall.

Yet one lone stream down to the ravine is thrown—

Through bamboo pipes, it fills the tea-maker’s own.

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An Autumn Cottage at Bashang ( 灞上秋居 )

Five-character-regular-verseComposed in the mid-to-late 9th century during Ma Dai's political disillusionment, this poem …

After the shower at Bashang,

I see an evening line of wildgeese,

The limp-hanging leaves of a foreign tree,

A lantern's cold gleam, lonely in the night,

An empty garden, white with dew,

The ruined wall of a neighbouring monastery.

...I have taken my ease here long enough.

What am I waiting for, I wonder.

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