In the new year, fragrant mume trees stand,
Their blooms abound on every hand.
The spring wind blows them away day by day,
Overnight, how many branches are left bare, pray?
The young wife now feels just the same,
Her endless regret stretches to the Great Wall's frame.
Oh, never compare the snow on Liao Sea's shore,
To the blossoms falling in her own backyard anymore.
新岁芳梅树，繁花四面同。
春风吹渐落，一夜几枝空。
少妇今如此，长城恨不穷。
莫将辽海雪，来比后庭中。
This poem was composed during the Tianbao era of Emperor Xuanzong of Tang. Although the Tang Dynasty appeared prosperous on the surface, signs of internal decline had already emerged. The ambitious emperor frequently launched military campaigns, and continuous wars in Liaodong, Hexi, and other regions led to the conscription of a large number of young men, resulting in family separations and leaving wives alone at home with unresolved resentment. Liu Fangping often drew on social realities, using natural imagery to express the melancholy and loneliness in women's lives. This poem is one of his representative works—outwardly describing the blooming and falling of plum blossoms, it conveys a young wife's sorrow and protest against the turmoil of war, reflecting deep social concern.
Classical Chinese poetry thrives on Concision and Ambiguity. Without tense or number, the words create a timeless space where the reader becomes the co-creator of the poem's meaning.
Look for Contrasts: light and shadow, movement and stillness. Don't just translate the words; feel the Yijing (artistic conception) that lingers long after the last character.
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