A Lute Song

Poetry of Li Qi 《琴歌》

English Rendering

Our host, providing abundant wine to make the night mellow,

Asks his guest from Yangzhou to play for us on the lute.

Toward the moon that whitens the city-wall, black crows are flying,

Frost is on ten thousand trees, and the wind blows through our clothes;

But a copper stove has added its light to that of flowery candles,

And the lute plays The Green Water, and then The Queen of Chu.

Once it has begun to play, there is no other sound:

A spell is on the banquet, while the stars grow thin....

But three hundred miles from here, in Huai, official duties await him,

And so it's farewell, and the road again, under cloudy mountains.

A Lute Song by Li Qi -  Gushi   Music   Friendship   Autumn   Solitude   Journey
"A Lute Song" by Li Qi

Original Text (中文原文)

主人有酒欢今夕,请奏鸣琴广陵客。

月照城头乌半飞,霜凄万木风入衣。

铜炉华烛烛增辉,初弹渌水后楚妃。

一声已动物皆静,四座无言星欲稀。

清淮奉使千余里,敢告云山从此始。

Meaning & Analysis

One Note That Stops the Night: Li Qi's Song of the Lute

Wine, Moon, and a Guest from Guangling

Li Qi's Qin Ge (琴歌) is a seven-character ancient verse (gushi) written around 745 CE, on the eve of a journey to Qinghuai. The poet was at a farewell banquet when the host called for music. The poem opens with a warm invitation: Zhu ren you jiu huan jin xi, qing zou ming qin Guang ling ke. (主人有酒欢今夕,请奏鸣琴广陵客。) The host has wine; tonight we celebrate. He asks the guest from Guangling (Yangzhou) to play the lute. The word "huan" (欢) sets a joyful tone, but the night outside will soon turn cold.

Frost on the Trees, Wind in the Clothes

Before the music begins, the poet looks out at the autumn night: Yue zhao cheng tou wu ban fei, shuang qi wan shu feng ru yi. (月照城头乌半飞,霜凄万树风入衣。) Moonlight touches the city walls; crows fly up in half-formed flocks. Frost makes ten thousand trees shiver, and the wind cuts through the clothes. The scene is cold and quiet, a perfect empty stage for what is about to happen. Then the room is warmed by light: Tong lu hua zhu zhu zeng hui, chu tan Lu shui hou Chu fei. (铜炉华烛烛增辉,初弹渌水后楚妃。) A copper stove glows, flowery candles brighten the hall, and the musician begins with "The Green Water," followed by "The Queen of Chu." These are ancient qin melodies—one clear and gentle, the other deep and sorrowful.

The Sound That Stops the World

Then the miracle happens: Yi sheng yi dong wu jie jing, si zuo wu yan xing yu xi. (一声已动物皆静,四座无言星欲稀。) One note moves through the air, and everything goes still. The guests fall silent. Even the stars seem to fade, as if the sky itself is listening. Li Qi does not describe the music with adjectives. He describes what the music does to the world around it. The silence is louder than any sound. Time stops. The frost, the wind, the departing journey—all disappear for a moment inside the circle of the lute.

A Goodbye to the Road, a Hello to the Mountains

When the last note fades, the poet remembers why he is here: Qing Huai feng shi qian yu li, gan gao yun shan cong ci shi. (清淮奉使千馀里,敢告云山从此始。) He is about to travel a thousand miles on official duty to Qinghuai. But the music has opened something in his heart. "I dare to say," he writes, "the mountains and clouds begin from this moment." The word "gan" (敢) means "I dare"—it is a quiet rebellion. He will go on the journey, but part of him has already decided to return to a life of freedom among the peaks. The lute did not just entertain the guests. It reminded the poet of what he was about to leave behind.

Reader's Companion

The Essence of the Verse

Classical Chinese poetry thrives on Concision and Ambiguity. Without tense or number, the words create a timeless space where the reader becomes the co-creator of the poem's meaning.

Reading Between the Lines

Look for Contrasts: light and shadow, movement and stillness. Don't just translate the words; feel the Yijing (artistic conception) that lingers long after the last character.

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