How much regret did i have in the last dream

Poetry of Wang Guowei 《蝶恋花·昨夜梦中多少恨》

English Rendering

How much regret did i have in the last dream?

tender voices of the carriage and horse,

we were so close.

Suddenly i found i pined for your love so crazy,

you walked to me and patted my head.


The thunder in the dream has died away,

sweet kiss of the wind and rain,

we were so immersed.

Suddenly i found the candle is gonna burn out,

only my yearning to you still sobbed before the dawn.

How much regret did i have in the last dream by Wang Guowei -  Ci   Love   Parting   Sorrow   Time   Nature
"How much regret did i have in the last dream" by Wang Guowei

Original Text (中文原文)

昨夜梦中多少恨,细马香车,两两行相近。

对面似怜人瘦损,众中不惜搴帷问。

陌上轻雷听渐隐,梦里难从,觉后那堪讯。

蜡泪窗前堆一寸,人间只有相思分!

Meaning & Analysis

Flowers That Fall Before You Can Hold Them: Wang Guowei's Song of Returning Home

Coming Back to a Garden Already Dying

Wang Guowei's Die Lian Hua: Yue Jin Tian Ya Li Bie Ku (蝶恋花·阅尽天涯离别苦) is a ci poem in the "Die Lian Hua" tune pattern, written in the spring of 1905. The poet had spent years travelling and studying far from home. When he finally returned to his house in Haining, he found his wife, Lady Mo, weaker and more faded than he remembered. The poem opens with a hard truth: Yue jin tian ya li bie ku, bu dao gui lai, ling luo hua ru xu. (阅尽天涯离别苦,不道归来,零落花如许。) "I have tasted all the bitter partings the world can offer. I never thought that coming home, I would find the flowers fallen like this." The word "bu dao" (不道) means "never expected"—he was ready for the pain of leaving, not the pain of finding what he loved already broken.

Silence Under the Blossoms

The next lines look back at the moment of parting and the moment of return, both filled with the same sadness: Hua di xiang kan wu yi yu, lv chuang chun yu tian ju mo. (花底相看无一语,绿窗春与天俱莫。) He remembers standing among the flowers with her, both too full of feeling to speak. Now he looks at the same green window, but the spring day has slipped into dusk. Some versions write "ju mu" (俱暮) instead of "ju mo" (俱莫)—both mean that the daylight, the spring, and their youth are all ending together. The silence is worse than tears. It is the silence of two people who know that time has already taken what words cannot bring back.

One Thread of Joy, a Thousand Threads of Old Pain

In the second half of the poem, the poet tries to find comfort: Dai ba xiang si deng xia su, yi lv xin huan, jiu hen qian qian lv. (待把相思灯下诉,一缕新欢,旧恨千千缕。) He sits with her by the lamp, ready to speak all the love and longing of the years apart. But one small moment of happiness only opens the door to a thousand old sorrows. The happiness is thin as a single thread; the regret is thick as a knotted rope. This is the cruel arithmetic of love after long absence: the joy of reunion is real, but it is never enough to pay back the debt of time.

The Two Things the World Can Never Keep

The poem ends with two lines that have become famous across the Chinese-speaking world: Zui shi ren jian liu bu zhu, zhu yan ci jing hua ci shu. (最是人间留不住,朱颜辞镜花辞树。) "The thing the human world can never hold onto: the rosy face leaves the mirror, and the flower leaves the tree." The word "ci" (辞) means to take leave, to say goodbye. The face in the mirror turns away and walks away forever. The blossom on the branch lets go and does not look back. Wang Guowei is not only speaking of his wife's fading beauty. He is speaking of everything beautiful and alive—everything we try to keep, and everything that leaves us while we are still reaching for it.

Reader's Companion

The Essence of the Verse

Classical Chinese poetry thrives on Concision and Ambiguity. Without tense or number, the words create a timeless space where the reader becomes the co-creator of the poem's meaning.

Reading Between the Lines

Look for Contrasts: light and shadow, movement and stillness. Don't just translate the words; feel the Yijing (artistic conception) that lingers long after the last character.

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