A Night Abroad

Poetry of Du Fu 《旅夜书怀》

English Rendering

A light wind is rippling at the grassy shore....

Through the night, to my motionless tall mast,

The stars lean down from open space,

And the moon comes running up the river.

...If only my art might bring me fame

And free my sick old age from office! --

Flitting, flitting, what am I like

But a sand-snipe in the wide, wide world!

A Night Abroad by Du Fu -  Lüshi   Journey   Nature   Night   Sorrow   Solitude
"A Night Abroad" by Du Fu

Original Text (中文原文)

细草微风岸,危樯独夜舟。

星垂平野阔,月涌大江流。

名岂文章著,官应老病休。

飘飘何所似,天地一沙鸥。

Meaning & Analysis

A Small Boat Under a Giant Sky: Du Fu's Night of Solitude

The Grass and the Mast

Du Fu's Lü Ye Shu Huai (旅夜书怀) is a five-character regulated verse (lüshi) written in 765 CE, when the poet was sailing down the Yangtze River after leaving Chengdu. His friend and protector Yan Wu had just died, and Du Fu was once again on the road with no home. The poem opens with a quiet, lonely picture: Xi cao wei feng an, wei qiang du ye zhou. (细草微风岸,危樯独夜舟。) Thin grass grows along the riverbank, stirred by a soft breeze. A single boat is moored for the night, its tall mast rising like a lonely finger against the dark. The grass is "thin" and the boat is "alone"—small, fragile things in a world that does not notice them.

Stars and a River That Never Sleep

Then the poem opens its eyes to the vast sky: Xing chui ping ye kuo, yue yong da jiang liu. (星垂平野阔,月涌大江流。) The stars hang so low that they seem to touch the endless flat plain, making the earth feel wider than the sky. The moon rises and falls on the great river, its light "pouring" like water into water. These two lines are famous for their size and power. Yet Du Fu is not celebrating nature. He is using the giant sky and the endless river to show how small one man in one boat truly is. The wider the world, the lonelier the traveller.

A Name Built on the Wrong Thing

In the middle of the poem, Du Fu turns his anger inward: Ming qi wen zhang zhu, guan ying lao bing xiu. (名岂文章著,官应老病休。) "Did I become famous for my poetry? And should I leave my post simply because I am old and sick?" He asks these questions with a bitter edge. He always wanted to serve his country as a statesman, not as a writer. Yet history remembers him as a poet, and politics threw him away. The word "qi" (岂) means "how could it be?"—he cannot accept that his name rests on poems while his dreams of service lie broken.

A Bird with No Tree

The poem ends with one of the saddest images in Chinese poetry: Piao piao he suo si, tian di yi sha ou. (飘飘何所似,天地一沙鸥。) "Drifting, drifting—what am I like? A single sand gull between heaven and earth." The bird is alone, with no nest, no flock, no shore to rest on. It simply floats on the wind, too small for the sky to notice and too light to control its own path. Du Fu looks at himself and sees this bird. After a lifetime of war, loss, and wandering, he is still floating, still searching for a place to land. The night will end, but the drifting will not.

Reader's Companion

The Essence of the Verse

Classical Chinese poetry thrives on Concision and Ambiguity. Without tense or number, the words create a timeless space where the reader becomes the co-creator of the poem's meaning.

Reading Between the Lines

Look for Contrasts: light and shadow, movement and stillness. Don't just translate the words; feel the Yijing (artistic conception) that lingers long after the last character.

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